Re: tempera printing peter fredrick

From: T. E. Andersen ^lt;[email protected]>
Date: 12/16/04-08:39:35 PM Z
Message-id: <41C246E7.7050903@microscopica.com>

Hi Hellena,

Please add me to the list as well. I'd very much like a copy.

Best regards,

Tom Einar Andersen

HNMM CLEARY wrote:
> Thanks for the request from you and others for a copy of my article. I
> shall send a copy to those people on the list who requested one to their
> personal e-mail addresses. If I send it to the list, there would be much
> weeping and gnashing of teeth and tearing out of hair if that much info
> went out over the list, especially for people like me on simple modems.
> I am not a computer boffin so I shall seek advice on how to send a copy
> of the same file to the different e-mail addresses. I shall bring all
> messages from everybody to Peter tomorrow. Again, be patient. Hellena
>
> ----- Original Message -----
> *From:* Tim O'Neill <mailto:rivervalleyimages@msn.com>
> *To:* alt-photo-process-l@sask.usask.ca
> <mailto:alt-photo-process-l@sask.usask.ca>
> *Sent:* Wednesday, December 15, 2004 1:24 AM
> *Subject:* Re: tempera printing peter fredrick
>
> Oh thanks H,
>
> I have tried to access the Journal from here before with no
> success. I would love to have an email if you get the time. I hope
> Peter is doing well.
>
> t
>
> ----- Original Message -----
> *From:* HNMM CLEARY <mailto:HNMM@hcleary.freeserve.co.uk>
> *To:* alt-photo-process-l@sask.usask.ca
> <mailto:alt-photo-process-l@sask.usask.ca>
> *Sent:* Tuesday, December 14, 2004 9:50 AM
> *Subject:* Re: tempera printing peter fredrick
>
> As far as I know , he was still working on his book. I don't
> know how much he had put together until the time of his
> illness.. I shall print out your e-mails and bring them with me
> on Friday. If it is any help I wrote a four page article on the
> Temperaprint process for the British Journal of Photography in
> the issue dated 19.06.2002. I don't know how you access the
> index from the states but I have a copy that I could e-mail if
> you are interested. The only major change in my working methods
> has been the switch from paper negatives made translucent with
> mineral oil to diginegs which are easier to use and make but I
> must say I miss the smell of oil from the negatives. Using oiled
> negs and an egg tempera process made for an interesting
> olfactory experience. Hellena
>
> ----- Original Message -----
> *From:* Tim O'Neill <mailto:rivervalleyimages@msn.com>
> *To:* alt-photo-process-l@sask.usask.ca
> <mailto:alt-photo-process-l@sask.usask.ca>
> *Sent:* Monday, December 13, 2004 10:34 PM
> *Subject:* Re: tempera printing peter fredrick
>
> Hellena,
>
> Does Peter have a book for purchase? In the info that is on
> alt photo his text suggests a advanced section of his
> compendium. I have not had success tracking that down.
> Any info on that? Likewise when you see him please forward
> my email. I would be willing to correspond even with snail
> mail should that be the only thing available to him for a bit.
>
> Tim
>
> ----- Original Message -----
> *From:* HNMM CLEARY <mailto:HNMM@hcleary.freeserve.co.uk>
> *To:* alt-photo-process-l@sask.usask.ca
> <mailto:alt-photo-process-l@sask.usask.ca>
> *Sent:* Monday, December 13, 2004 11:27 AM
> *Subject:* Re: tempera printing peter fredrick
>
> I am not very good technically in my work so when you
> talk about working out curves, I must admit that I am
> pretty inexperienced in that respect. I just go
> for something visually acceptable as there are so many
> vagaries in the process, it is difficult to be extremely
> precise. Exposure times for me very much depend on the
> uv light source. I use a machine developed for making
> printing circuit board in the electronic industry which
> combines vacuum and timer together and is pretty
> accurate. I also do not work any bigger than A3. I have
> in the past done Temperaprint on polished marble and
> welsh slate. However I only did a single coat because of
> the impossibility of getting correct registration with
> two coats. I used some pretty high density foam from a
> furniture making place and one of those vacuum bags that
> you use a vacuum cleaner to remove the air and create
> the contact between the printer and the substrata. It
> worked quite well on the marble as an almost
> photographic surface and differently on the slate
> because of the surface irregularities.
>
> ----- Original Message -----
> *From:* Tim O'Neill <mailto:rivervalleyimages@msn.com>
> *To:* alt-photo-process-l@sask.usask.ca
> <mailto:alt-photo-process-l@sask.usask.ca>
> *Sent:* Monday, December 13, 2004 4:43 AM
> *Subject:* Re: tempera printing peter fredrick
>
> Hellena,
>
> Good to hear that someone else exists out there that
> has some experience. I am starting form scratch so
> have not yet gotten a gallery quality print. I am
> still working out curves and exposure times. I am
> extremely interested in chatting with someone who
> has first hand experience with the process on
> ceramic or stone. That is what I am pursuing next
> as soon as I get a touch better results with basic
> printing. Any tips form you expereinced will be
> greatly appreciated
>
> Tim
>
> ----- Original Message -----
> *From:* HNMM CLEARY
> <mailto:HNMM@hcleary.freeserve.co.uk>
> *To:* alt-photo-process-l@sask.usask.ca
> <mailto:alt-photo-process-l@sask.usask.ca>
> *Sent:* Sunday, December 12, 2004 12:12 PM
> *Subject:* Re: tempera printing peter fredrick
>
> Yes, we are still out there. There are a few
> probationers of Temperaprint still going. While
> we are not as good as Peter, we are still
> functioning and making prints. Most of us are in
> the U.K. but Barbara Maloney is an American
> currently residing in Germany. She has an
> article in the November issue of
> www.alternativephotographycom
> <http://www.alternativephotography.com>. All
> discussion welcome . I am going to see Peter on
> Friday and can pass on any questions and
> hopefully he will get access to the web soon.
> Hellena
>
> ----- Original Message -----
> *From:* Tim O'Neill
> <mailto:rivervalleyimages@msn.com>
> *To:* alt-photo-process-l@sask.usask.ca
> <mailto:alt-photo-process-l@sask.usask.ca>
> *Sent:* Sunday, December 12, 2004 1:59 PM
> *Subject:* Re: tempera printing peter fredrick
>
> Kate,
>
> Do you have contact info for Peter? I am
> curious whether his school will carry on
> once he is on the mend.
>
> ----- Original Message -----
> *From:* Kate Mahoney
> <mailto:kateb@paradise.net.nz>
> *To:* alt-photo-process-l@sask.usask.ca
> <mailto:alt-photo-process-l@sask.usask.ca>
> *Sent:* Wednesday, December 08, 2004 5:07 PM
> *Subject:* Re: tempera printing
>
> Hi Tim, Peter Frederick has been very
> ill, and is in the process of
> recuperating.
>
> I've just started using a modified
> version of his process with some success.
> The advantage is that it's way quicker
> to produce a print than gum - the
> disadvantage is (for me) that it
> produces a much different image quality.
> I'm just getting my head around the
> differences but I certainly find it
> simple and effective after gum, but then
> again it's probably because I have
> already done gum!!!
>
> Have a look at the archives - there was
> some discussion a couple of weeks
> ago and there are certainly a few much
> more knowledgeable people on this
> list than me!
>
> Cheers
> Kate
>
> ----- Original Message -----
> From: "Tim O'Neill"
> <rivervalleyimages@msn.com
> <mailto:rivervalleyimages@msn.com>>
> To: <alt-photo-process-l@sask.usask.ca
> <mailto:alt-photo-process-l@sask.usask.ca>>
> Sent: Thursday, December 09, 2004 10:55 AM
> Subject: tempera printing
>
>
> > Any one have contact info for Peter
> Fredrick? Or maybe any others out
> there
> > using his process I can compare some
> tests and notes with?
> >
> > Tim O'Neill
> >
> >
> >
>
Received on Thu Dec 16 20:40:01 2004

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